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            Linda Vallejo Newsletter Winter 2025   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏
        
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      <h4 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.25em;mso-line-height-alt:1.25em;margin-top:0;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:.02em;text-align:center;"><strong><span data-letter-spacing="3" style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;letter-spacing:0.2em;">THE CANOPY</span></strong></h4><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;text-align:center;" class=""><em><strong><span data-letter-spacing="2" style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;letter-spacing:0.1em;">Sustainers of Life</span></strong></em></p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;text-align:center;" class="">Angel’s Gate Cultural Center, San Pedro, CA</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;text-align:center;" class="">September 6, 2025 - January 24, 2026</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;">“The Canopy is, both a literal and symbolic shelter. Its skirt-like form honors women as protectors, nurturers, and sustainers of community. When I imagine the canopy, I see it as the presence of women who have come before me—those whose knowledge, strength, and prayers create a shelter for life to flourish. </p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;">The two Tree of Life sculptures beneath the canopy carries its own story. In its roots, I see connection to the ancestors—those who carried memory, language, and spirit forward despite enormous loss. In its branches, I see future generations, reaching upward with strength and possibility.” - <a href="https://www.lindavallejoart.com" rel="nofollow" style="color:#000 !important;">Linda Vallejo</a></p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;">IMAGE: <em>The Canopy,</em> site specific installation, 2025</p>
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      <div class="section-caption-text" style="position:relative;"><h4 style="margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.25em;mso-line-height-alt:1.25em;margin-top:0;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:.02em;color:#000;"><strong><span data-letter-spacing="3" style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;letter-spacing:0.2em;">MIAMI BASEL 2025</span></strong></h4><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;"><a href="https://www.parraschheijnen.com/artists/linda-vallejo" rel="nofollow" style="color:#000 !important;">parrasch heijnen </a></p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;">December 5 - 8, 2025</p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;">Linda Vallejo: Datos Sagrados</p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;">excerpt of essay by Shana Nys Dambrot</p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;">“It’s just math,” Vallejo says again, “but again, it’s never just math.” Linda Vallejo transforms the project into something beyond narrative, beyond meta - narrative even, and into the realm of the universal. By taking a simple mathematical process that connects to her own experience, Vallejo has generated a rarefied language of mark - making that is only brown paint on paper, and yet comprises a wealth of holistic meaning from the deeply personal to the political, spiritual, philosophical, and psychological. This is not kind of thing one expects from a Minimalist.</p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;">IMAGE: <em>Datos Sagrados, 65% of US Latinos are US Native Born in 2015</em>, 2017, Punjab paper, Gouache, pencil</p></div>
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  <a href="https://www.lindavallejoart.com/press" style="color:#000 !important;"><img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/633b1a8c56280012f6b7a115/559bf121-40cc-406f-9e7e-6858efc0d2e5/Self+Knowing+in+the+New+Age+copy.jpg?content-type=image%2Fjpeg&amp;format=750w" width="297" alt="" style="font-size:.8em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;"></a>


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      <div class="section-caption-text" style="position:relative;"><h4 style="margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.25em;mso-line-height-alt:1.25em;margin-top:0;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:.02em;color:#000;"><strong><span data-letter-spacing="3" style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;letter-spacing:0.2em;">CHICANO FUTURISM</span></strong></h4><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;"></p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;"><a href="https://www.lancastermoah.org/exhibitions-page/chicano-futurism" rel="nofollow" style="color:#000 !important;"><strong>Lancaster Museum of Art and History</strong></a></p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;"><strong> May 16 - August 30, 2026</strong></p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;"><em><strong>Self Knowing in the New Age, 2023-2025</strong></em></p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;">“Technology, with its endless data streams, mesmerizing pixilation, and polished mirrors of online life, offers a self-knowing filtered through a digital lens. It promises to advance our understanding of life and yet, in this pursuit, we risk a Faustian bargain. As we outsource our inner reflections to algorithms, our self-knowing begins to disappear. We lose a connection to our natural selves and the possibility of a deep relationship to the natural world.” - Linda Vallejo</p></div>
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    <table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" align="center" class="side-layout" style="width:100% !important;"><tbody><tr><td class="section-text-cell" style="padding-top:22px;padding-right:22px;padding-bottom:22px;padding-left:22px;">
      <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;">“Vallejo’s new series ‘Self Knowing in the New Age’ references to the Indigenous past offer a futurist commentary, one in which the digital realm, indigeneity, and ecofeminism come together to create a more just world, one that envisions preservation and survival in the face of crisis.” - <a href="https://www.history.ox.ac.uk/article/worcester-college-and-the-department-of-history-of-art-appoint-first-tutorial-fellow-and-pro" rel="nofollow" style="color:#000 !important;">Charlene Villasenor Black,</a> Tutorial Fellow and Professor in the Art of the Americas, Department of History of Art, Worcester College, Oxford University </p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;"><em><strong>The New Gods: Earth, Water, Fire, &amp; Air, 2025</strong></em></p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;">These works reinvent the ancient gods and goddesses by juxtaposing the structure of Mesoamerican ceremonial incense burner with contemporary symbol and form. These sculptures merge ancient and contemporary belief asking the viewer to reflect on the ways that historical narratives inform present-day belief systems.</p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;">IMAGE above: <em>Self Knowing in the New Age</em>, 2024, acrylic on canvas, 24 X 18in.</p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;">IMAGE right:  <em>The New Gods: Water, </em>2025, porcelain, cotton, wool, 22 x 14 x 14 in.</p></div>
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      <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;"><em><strong>Act on It: Artists, Community, and the Brockman Gallery in Los Angeles</strong></em></p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Vincent Price Art Museum (VPAM):</span> September 27, 2025–January 3, 2026</strong> </p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;"><a href="https://www.lacma.org/communityprograms" rel="nofollow" style="color:#000 !important;"><strong>in collaboration with</strong> <strong>LA County Museum of Art / LACMA Art Bridge - Local Access Initiative</strong></a></p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;"><a href="https://vpam.org/press/2025/08/vincent-price-art-museum-presents-act-on-it-artists-community-and-the-brockman-gallery-in-los-angeles/" rel="nofollow" style="color:#000 !important;"><strong>Closing Program: Common Ground: Saturday, Jan. 17, 2025 at 1:00 p.m.</strong></a></p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;">In 1986, the Brockman Gallery presented “Common Ground,” a landmark exhibition that invited audiences to reflect on the shared struggles, creative expressions, and cultural values of underrepresented artists across communities. Curated by esteemed Chicana artist Linda Vallejo, the show affirmed, “We are all here together, living on common ground.”</p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;">IMAGE: <em>UIndigena,</em> 1986, Self Help Graphics Atelier, silkscreen print, 30 x 40 in.</p></div>
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      <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;"><em><strong>Sustainers of Life: Indigenous women as keepers of tradition, connections to the earth, and sustainers of the cycle of life</strong></em></p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;"><a href="https://angelsgateart.org" rel="nofollow" style="color:#000 !important;"><strong>Angel’s Gate Cultural Center</strong></a></p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;">San Pedro, CA</p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;">September 6, 2025 - January 24, 2026</p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;">curated by Cecelia Koger, Director of Exhibitions and artist Laurie Steelink</p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;">“Sustainers of Life” features seven artists exploring  colonialism’s impact, motherhood, and the Missing and Murdered Indigenous Women crisis while also celebrating individual stories of resilience and survival. </p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#000;">IMAGE: <em>The Canopy,</em> site specific installation, 2025</p></div>
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      <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;color:#313131;">Including Frederic Tcheng, Michael Joo, Kelltie Ferris, Sara VandDerBeek, Tamar Halpern, Craig Kalpakjian, Robert Janitz, Anna Ostoyaa, Prem Krishnamurthy, Liz Magic Laser, Dana Hoey, and <strong>The Judith Center</strong> featuring Warren Niedich &amp; <strong>Linda Vallejo</strong> and featuring an original essay by Dana Hoey.</p></div>
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1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;">Hammer Museum Artist Council</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-top:0in;margin-bottom:2pt;" class=""><em><strong>Recent Awards</strong></em></p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-top:2.4pt;margin-bottom:0.0001pt;" class=""><em>Lifetime Achievement Award,</em> National Women’s Caucus for the Arts 2022</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-top:2.4pt;margin-bottom:0.0001pt;" class=""><em>Archives of American Art,</em> Smithsonian Institution, Oral History Program</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-top:4.8pt;margin-bottom:2pt;" class=""><em><strong>Selected Permanent Collections </strong></em></p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-top:2.4pt;margin-bottom:0.0001pt;" class="">MSU Broad Eli and Edythe Broad Art Museum, East Lansing, Michigan</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New 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class="">Los Angeles County Museum of Art LACMA, Los Angeles, CA</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-top:2.4pt;margin-bottom:0.0001pt;" class="">Los Angeles County Natural History Museum, Los Angeles, CA</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-top:2.4pt;margin-bottom:0.0001pt;" class="">El Museo del Barrio, New York, NY</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-top:2.4pt;margin-bottom:0.0001pt;" class="">Vincent Price Museum, East Los Angeles College, Los Angeles, CA</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-top:2.4pt;margin-bottom:0.0001pt;" class="">The National Museum of Mexican Art, Chicago, Ill</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-top:4.8pt;margin-bottom:2pt;" class=""><em><strong>Recent Solo Exhibitions</strong></em></p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-top:4.8pt;margin-bottom:2pt;" class="">2024 - <em>Linda Vallejo, Selected Works 1969-2024</em>, parrasch heijnen, Los Angeles</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-bottom:0.0001pt;" class="">2023 - <em>Linda Vallejo: Brown Baroque</em>, CSU San Bernardino Fullerton Museum</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-bottom:0.0001pt;" class="">2019-20&nbsp;- <em>Linda Vallejo: Brown Belongings</em>, LA Plaza de Cultura y Artes, LA, CA </p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-bottom:0.0001pt;" class="">2017 - <em>Keepin’ it Brown, Getty PST: LA/LA</em>, bG Gallery, Santa Monica, CA</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-bottom:0.0001pt;" class=""><em><strong>Selected Group Exhibitions</strong></em></p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-bottom:0.0001pt;" class=""><strong>2026</strong></p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-bottom:0.0001pt;" class=""><em>Chicano Futurism, </em>Museum of Art and History, Lancaster, CA, May 16 - Aug 30, 2026</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-bottom:0.0001pt;" class=""><em>Los Four: The Art and Legacy of Chicano Excellence, </em>Bakersfield Museum of Art, Bakersfield, CA, September 2026</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-bottom:0.0001pt;" class=""><strong>2025</strong></p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-bottom:0.0001pt;" class=""><em>Miami Basel, </em>parrasch heijnen, Miami, FL, December 5 - 8, 2025</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-bottom:0.0001pt;" class=""><em>Sustainers of Life: Indigenous women as keepers of tradition, connections to the earth, and sustainers of the cycle of life</em>, Angel’s Gate Cultural Center, San Pedro, CA, September 6 - December 6, 2025</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-bottom:0.0001pt;" class=""><em>Act on It: Artists, Community, and the Brockman Gallery in Los Angeles</em>, LA County Museum of Art / LACMA Art Bridge - Local Access Initiative, Vincent Price Art Museum (VPAM): September 27, 2025–January 3, 2026 </p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-bottom:0.0001pt;" class=""><em>Seeing Chicanx: The Durón Family Collection,” a visual history of L.A.’s Chicanx Art Scene</em>, Loyola Marymount University, Laband Art Gallery, Los Angeles, CA, September. 25 - December 6, 2025</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-bottom:0.0001pt;" class=""><em>Take me to your leader!</em> Franklin Parrasch, New York, NY</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-top:2.4pt;margin-bottom:0.0001pt;" class=""><em>Back At Cha - A Celebration of Alonzo Davis, </em>parrasch heijnen, Los Angeles, CA </p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-bottom:0.0001pt;" class=""><em>The Judith Center Poster Project [Phase 1]: Freedom in the Automation Age, </em>Eli and Edythe Broad Art Museum at Michigan State U in partnership with The Judith Center</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-bottom:0.0001pt;" class=""><em><strong>Selected Bibliography 2024-25</strong></em></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;line-height:150%;margin-bottom:0.0001pt;" class=""><em>INSIDE-OUT: Standing in a Threshold,</em> curated by Tamar Halpern, Brooklyn Public Library, Brooklyn, NY, in collaboration with The Judith Center, October 2025</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;line-height:150%;margin-bottom:0.0001pt;" class=""><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Aztlán: A Journal of Chicano Studies, UCLA Chicano Studies Research Center, </span><em>Indigeneity and Embodied Knowledge in the Art of Linda Vallejo</em>, Charlene Villaseñor Black, Volume, 50, Issue 1, Spring 2025 </p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;line-height:150%;margin-bottom:0.0001pt;" class=""><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Artillery Magazine,</span> <em>Linda Vallejo’s Extraordinary Vision: A new Exhibition at parrasch heijnen showcases five decades of the artist’s work, </em>November 14, 2024</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;line-height:150%;margin-bottom:0.0001pt;" class=""><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Artillery Magazine, </span>Linda Vallejo’s Extraordinary Vision: A new Exhibition at parrasch heijnen <em>showcases five decades of the artist’s work, </em>November 14, 2024</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-bottom:0.0001pt;" class=""><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Artillery Magazine,</span> <em>Linda Vallejo’s Extraordinary Vision: A new Exhibition at parrasch heijnen showcases five decades of the artist’s work, </em>November 14, 2024</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-top:2.4pt;margin-bottom:0.0001pt;" class=""><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">The Art Newspaper,</span> <em>The Judith Center, a new Los Angeles art space focuses on the experiences of women, </em>November 12, 2024</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-top:2.4pt;margin-bottom:0.0001pt;" class=""><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Financial Times,</span> <em>Curator Pablo José Ramírez: ‘Art history doesn’t belong exclusively to the western world', </em>New York Times, <em>At Los Angeles Galleries, Savoring the Waning Days of Summer, </em>October 4, 2024</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-top:2.4pt;margin-bottom:0.0001pt;" class=""><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">FRIEZE LONDON,</span> <em>‘Smoke’: Christine Howard Sandoval and Linda Vallejo, parrasch heijnen presents a dual exhibition that explores the cultural memory of communities and lands, </em>July 29, 2024</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-top:2.4pt;margin-bottom:0.0001pt;" class=""><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Yale University Press,</span> New Haven and London, <em>All These Liberations: Women Artist in the Eileen Harris Norton Collection </em>edited by Taylor Renee Aldridge</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-top:2.4pt;margin-bottom:0.0001pt;" class=""><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">University of Arizona Press,</span> <em>Mujeres de Maiz en Movimiento: Spiritual Artivism, Healing Justice, and Feminist Praxis</em></p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Liberation Serif', 'Nimbus Roman No9 L Regular', Times, 'Times New Roman', serif;letter-spacing:-.01em;margin-top:2.4pt;margin-bottom:0.0001pt;" class=""><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">The New York Times,</span> <em>At Los Angeles Galleries, Savoring the Waning Days of Summer, </em>Jonathan Griffin, August 8, 2024</p>
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